Bruce in the Conservatory
The first of my Bush-Wah-Zee (Bourgeoisie) series, this piece reflects the idea that traditional Australiana can be unapologetically high-end. Inspired by de Gournay's hand-painted wallpapers, I wanted to create a space with exclusively Australian flora, focused on a central figure in the room. The figures that loom largest to me in the bush are often the parrots- they're so incredibly beautiful, and so incredibly.... LOUD. They will not be ignored, and neither will Bruce.
152.4cm x 122cm (60" x48")
Acrylic on Cotton Duck Canvas
Victorian Ash stretchers
The first of my Bush-Wah-Zee (Bourgeoisie) series, this piece reflects the idea that traditional Australiana can be unapologetically high-end. Inspired by de Gournay's hand-painted wallpapers, I wanted to create a space with exclusively Australian flora, focused on a central figure in the room. The figures that loom largest to me in the bush are often the parrots- they're so incredibly beautiful, and so incredibly.... LOUD. They will not be ignored, and neither will Bruce.
152.4cm x 122cm (60" x48")
Acrylic on Cotton Duck Canvas
Victorian Ash stretchers
The first of my Bush-Wah-Zee (Bourgeoisie) series, this piece reflects the idea that traditional Australiana can be unapologetically high-end. Inspired by de Gournay's hand-painted wallpapers, I wanted to create a space with exclusively Australian flora, focused on a central figure in the room. The figures that loom largest to me in the bush are often the parrots- they're so incredibly beautiful, and so incredibly.... LOUD. They will not be ignored, and neither will Bruce.
152.4cm x 122cm (60" x48")
Acrylic on Cotton Duck Canvas
Victorian Ash stretchers